Mario Ritarossi - Alatri September 2008

No wonder, invited to observe the most recent artistic production of Daniele Dell'Uomo it recognizes an extent even greater, liveliness stainless feelings and emotions that have always distinguished them life, and hence , all his fruitful activities as a painter.
This is a spontaneous but absolute vitality, capable of transfiguration, on the point of his more intense effect, in pictures and real passionate transpaire which, without hesitation, visions of intimate familiarity.
Landscapes, glimpses of people, scene people, still lifes, and portraits of clowns or of young girls in costume Ciociaro are the most characteristic of his extensive repertoire figurative: real snapshots of an experience lived and longed that, with a shudder of neo-impressionist taste, are of color, always exuberant and transfigured, the common denominator of its most authentic.
And 'in fact an immediate and direct painting in which the sense of color, far away from any effort of mere verisimilitude, gives representation to the value of an appearance of fantasy, where the surface of shatter insisted painted shares with pictorial figuration urgency evocative atmospheres iridescent.
And this is perhaps the right way to read and appreciate the paintings of Daniele Dell'Uomo, as the place of emotions and feelings, which, through an interminable moment of abduction color, there pervading as to arouse secret resonances and to discern unexpected affinities.

Marco Vinicio Passarelli - Alatri October 2008

Daniele Dell'Uomo was, for me, one of the most significant meetings, including many of the artists Ciociara. He is a self-taught, which does not mean "an amateur" and it is now, indeed, a "professional" in presenting its kind, albeit with references classical, romantic and impressionistic, with a very personal style.
The sentiments expressed Daniele are those arising from a reality which requires thorough investigation, this fact is developed in various solutions as if the problem is an analysis of the real space and time for an unlimited combination.
His landscapes contain tensions and solar foggy breaths that surprised, sometimes, for their tragic contradiction between the possible and the impossible in a balance that moves us forward and backward in space, looking for times past and future at the same time, that But we can live this a dynamic event that surround us as a record developed by a good journalist sensitive and inspired.
His female figures Ciociano, even if represented with static formal dialogue between them can, in no uncertain terms, with an impressive talkativeness saturated, almost, of the musical vernacular of Ernici.
The acrobats and clowns are lying, however, in their melancholy by the "broken heart" by an amiable and timid that recalls the sad childhood, perhaps, times have not forgotten.
He speaks for himself with an inner demon that sometimes burns the canvas or a God, that the lights, with the energy of the stars.
Sa stop, not always, on the signs, the brush strokes and colors that spring from his spontaneous instincts, having almost afraid, and rightly so, to destroy those sublime and unique moments resulting from that inner reality that always spurs a move on the canvas with enthusiasm and speed for some automation median, the fruit of exciting inspiration.
Not always, however, everything is so immediate, transparent, positive, everything is always a game, a celebration, a support, a symbol that brings us closer to infinity, the absolute, an unattainable goal, perhaps, and that is painful in joy of a unique representation and continues in his role that is more humane than the dissatisfaction that exists and research.
Daniele Dell'Uomo for this is a true artist, because it seeks, sa announce, disclose, forward, translate the paradox of life in the eyes of the spirit, the only eyes that can see inside each of Being and probability of existence and therefore , creativity, universal control, test and interpret always, first for himself, then for those who can stand back and admire it constantly to do so.

Sergii Grygoryev - Trivigliano May 2008

I am not one who can write in style aulic to express what I like the painting of Daniele Of. I'm sorry, because I say so. But I do not want to repeat what others have said before me. Daniele Of Vesuvius is in the midst of the silence and the patriarchal attempt to express something of the human world with the painting .. Daniel loves this world, his interest in everything and this can be seen on his paintings. His main quality as a painter is the innate sense of color and light technology, uninhibited by the master: The pictures are full of life sparkle extraordinarily contagious combination of colors , red and blue (or blue?), he puts together in harmony without effort, it seems to us that someone may guide the tip of his brush ..

Pecci Guido - Alatri February 2007

The painting of Daniele dell'Uomo always remained true to itself developing in recent decades, a style immediately recognizable to the issues addressed and the techniques used.
Felt, in the works of Dell'Uomo, the desire for a direct and immediate comparison with the color, which, through the smooth fluidity of brushwork describes lyrical evocations of everyday life. This is almost always landscapes captured by real or evoked by the memory, assorti depictions of nature permeated the crisp daylight, which enhances the attractiveness of colors. Daniele Dell'Uomo, painting the landscape, traces the path of a tradition deeply rooted in our culture arts, which, starting with Giovanni Bellini and Giorgione and via Tiziano, up to Giovanni Fattori and Silvestro Lega. Resulting forms directly identified with the brush without preliminary design, fused with each other by patches of color juxtaposed.
The still life, the market, the clown with balloon are leaving more room for imagination and a looser interpretation of the contents, declined through un'esuberante color range and an ease of the sign. Drafts wide and transparent electric blue, purple, pink fluorescent fragments lay on the canvas of reality playfully compounds with each other, to form a real puzzle of memory. The same as perceived by prospective cuts scrostate and walls of buildings overlooking the streets of Alatri.

Ciro Marsella - Alatri May 1999

"The painting of Daniele Dell'Uomo yes part of the observation of reality and everyday life, yet melts them and transfigures the originality of a world infused with artistic values imperishable.
The artist - albeit self-demonstrates that he has acquired over time, after a long inner distress, a considerable mastery in the representation of form and in color from a palette extrinsic that - although dominated by green, from blue, from red and orange - reveals unusual shades and nuances in the mix of color mixtures, which often give rise to "stain" of absolute nice visual. The subject represented on canvas - be it a person, a still life or a landscape - is never an end in itself but to an authentic message of the deeper potential of the human soul.
Thus the different representations of the character of the "Women" witness of peasants values - such as work, love and fidelity that are still current reference points, and the varied landscapes - now idyllic, now pouting, however, characterized by particular sense perspective -- representing different stages almost spiritual, the waters of streams, which roll in their tumultuous give a sense of life that flees; boots abandoned, that tell a whole life, with the small as great, the weapon the soldiers " faithful over the centuries ", the colorful flowers, a symbol of life blooming but soon it will, finally, the various portraits of a pensive Christ's suffering and the path of men, who continue to write the story of their joys and sorrows, of expectations and disillusionment, life and death.
So the Dell'Uomo has cut a not insignificant in today landscape painting: space characterized by the beauty of form and significance of the content expressed.

Armando Pacchiani - Fiuggi August 1993

"... The palette, full of dense color, clean and swollen with meaning, to dust the old-Impressionism expressionist adding a touch of genuine natural talent. So imaginary real world of the author, it illuminates the pictorial impetus to discover more intense inner light that shines through her clear of any painting.
In a world where overflows demagoguery and mystification is flattering to find sincerity, freshness and artistic taste ...."

Tommaso Lamonica - Ponza September 1978

"... It 'a painting by instinct, but at the same time is a tonal painting, in which the brush quickly and is never off course by compositional imbalances.
Painting spontaneous freshness pervaded expressive impulses denoting serene, persuasive drop in the nature around him, a true adherence to the charm of the color becomes poetry of things through the skillful mix of ochres, of yellow, of blue, red, the purple, the green that stand out most in his vases with flowers, compositions and harmonious ringing of bright colors and intense. Nature is the
great inspiration to all true artists and some of his airy landscapes, vivid coloristic intense notes, described in almost symphonic sequence, suggest to some tracks of Vivaldi's Four Seasons, the first two days of Beethoven's Pastoral. Every part of Daniele Dell'Uomo exalts a matter of life and he often sees in the angles and different states of mind, moving to the expression of the faces and the choice of colors his clown, that bring to mind throughout the Charlot his suffering humanity. "